#Romanian poet
- Blandian — Specific to the style, work, poetic vision, or thematic universe of the Romanian writer and dissident Ana Blandiana (b. 1942). It describes an aesthetic marked by ethical purity, lyrical sobriety, profound metaphysical melancholy, and subtle metaphors of spiritual resistance through fragility in the face of historical oppression or existential decay.
- Tudor Arghezi — The literary pseudonym and adopted surname of the great Romanian poet, prose writer, and journalist Tudor Arghezi (born Ion N. Theodorescu), a prominent figure of Romanian literary modernism, renowned for his volumes 'Cuvinte potrivite', 'Flori de mucigai', and for revolutionizing poetic language through the aesthetics of the ugly. In a structural-onomastic sense, the eponym, etymologically derived from the ancient name of the Argeș river ('Argesis'), denotes a literary style characterized by unique expressiveness, lampooning power, and metaphorical density.
- Astrălina — A very rare poetic or regional archaism used in traditional incantations or old folk poetry to describe a state of spectral brightness, a pale light reflected by the stars (astral rays), or a nocturnal mythological entity associated with the sky. It represented a structural plastic metaphor used to suggest immaterial purity, night guidance, and the unseen influence of stars on earthly destiny.
- Bacovia — The literary pseudonym of George Vasiliu (1881–1957), one of the most prominent Romanian poets, a major representative of local symbolism and a precursor of modernism. His work, remarkable for its structural atmosphere of lead, neurosis, monotony, and urban confinement, redefined Romanian poetic sensibility by utilizing obsessive colors (black, violet, gray) and recurrent motifs such as depressing rain, the vault, and biological decline.
- Bacovianism — A literary movement, aesthetic formula, doctrine, or stylistic manner based on the work and poetic vision of George Bacovia. In the history of Romanian literature, the term denotes both the absolute originality of his thematic universe and the tendency of later or epigonic poets to structurally imitate the leaden atmosphere, states of neurosis, confinement, and depressing color schemes specific to Bacovia's work.