#mannerism

• Bad habit — A habit, a bad practice, a negative behavioral manifestation, or a manner of acting that has become reflexive; in a broad sense, it designates a bizarre conduct, a whim, or a reprehensible gesture that tends to recur frequently, often drawing disapproval from others.
• Arcimboldo — The surname of the famous Italian painter Giuseppe Arcimboldo, a prominent representative of Mannerism, renowned for creating composite portraits of unique structural originality. These artworks exclusively utilize natural elements such as fruits, vegetables, flowers, fish, books, or household objects, meticulously arranged to reconstruct the optical illusion of human faces with allegorical and satirical nuances.
• To imitate oneself — To imitate oneself; to consciously or involuntarily repeat one's own past stylistic formulas, artistic techniques, ideas, or successful behaviors, showcasing a lack of originality or a stagnation in the creative process. In art and literature, the action defines the moment a renowned author resorts to personal clichés instead of innovating, entering a phase of mannerism or aesthetic decline.
• Self-imitation — The act of imitating oneself and its result; the process through which an artist, writer, or individual consciously or involuntarily repeats their own past successful formulas, techniques, styles, or behavioral patterns. In cultural analysis, the phenomenon is considered a symptom of creative exhaustion, marking the transition from original artistic innovation to sterile mannerism or personal cliché.
• To self-pastiche — To consciously or unconsciously imitate one's own style, themes, motifs, or creative techniques used in previous works; to create a pastiche of one's own artistic structures, repeating successful formulas without introducing real aesthetic innovation. Unlike self-parody, which carries a caricatural and subversive intent, the act of self-pastiche tends to maintain the original tone and mannerism, often becoming a sign of creative exhaustion or fixation within a comfortable formula.
• Self-pastiche — The act of self-pasticheing and its result; a structural process or artistic manifestation marked by the faithful, yet unoriginal, reproduction of one's own creative style from the past. In critical analyses, the phenomenon of self-pastiche is often labeled as sterile mannerism, indicating a moment when an author no longer evolves conceptually, but prefers to clone their own formal successes to meet market or public expectations.