#plural

• Come on all — A popular or colloquial 2nd person plural imperative form (also used as a polite formula) for the driving interjection or defective verb 'aide' (haide); it structurally serves to mobilize, hurry, or invite a group of people to begin or continue a common action. It is the direct equivalent of the literary 'haideți' (come on / let's go).
• Airs — The plural form for the noun aier (air); layers of air, skies, or repeated breezes of wind. In a figurative, colloquial, and modern pejorative sense (often correlated with the phrase 'aiere în cap'), it designates exaggerated pretensions, manifestations of vain pride, arrogance, conceit, or affected, artificial behavior adopted by a person to appear superior.
• Deliriums — The plural form of the archaic and regional noun 'aire'; it denotes repeated manifestations or successive episodes of mind wandering, febrile delirium, or deep mental confusion. Within the linguistic context of old texts or records of rural empirical medicine, the word served structurally to describe the fluctuating progression of severe physical or psychological ailments, preserving deep documentary value.
• These — The feminine or neuter plural form of the regional demonstrative adjective or pronoun 'aist', structurally equivalent to the modern literary term 'aceste' (these); it is used within Romanian folk dialects in the northern half of the country. The word indicates a plurality of objects, beings, or situations of feminine or neuter gender located in the immediate spatial, temporal, or conversational proximity of the speaker, bearing a strong mark of traditional rural oral expression.
• Garlic beds — The plural form of the regional collective noun 'ait' or a rare popular nominal variant used in the past within certain dialects to denote small gardens, plots of land, or beds cultivated exclusively with garlic. Within the linguistic context of archaic rural communities, the word served to topographically delineate agricultural plots allocated for alliaceous plants, carrying a strong mark of oral expression and reflecting the microscopic organization of old-time homesteads.
• Garlic cloves — The plural form of the regional noun 'ait'; it denotes collectively crushed garlic cloves or compact crops of alliaceous plants structurally arranged within rural gardens. Within the traditional lexicon of empirical medicine and rustic gastronomy, the term describes the repeated addition or massive use of garlic in various protective remedies or culinary dishes designed to disinfect and enhance the nutritional properties of feast meals.
• The garlic cloves — An articulated regional variant or localized plural form of the collective noun 'ait'; it directly denotes 'the garlic cloves' or, figuratively within old gastronomy, rural dishes subjected to a massive seasoning process with crushed garlic sauce. The word carries a powerful mark of dialectal oral expression specific to isolated historical communities, being used in protective empirical recipes and ethnographic descriptions of feast meals within archaic Romanian hearths.
• Garlic aspics — The plural form of the regional noun 'aitură'; it denotes multiple portions, varieties, or preparation instances of the thick sauces or heavily garlic-seasoned aspics specific to old rural cuisine. Within the linguistic and ethnographic context of archaic communities, the word served structurally to describe the diversity of dishes prepared during winter feasts or harvest periods, when hearty and spicy sustenance was required to support massive physical effort.
• Garlic beds — A regional plural form used in the past within Transylvanian and Banat dialects to denote garlic crops (ai) or beds structurally arranged inside vegetable gardens; it can also represent the third-person present subjunctive form of the verb 'aiura' (to rave). Within an ethnobotanical context, the word reflects the popular collective name given to alliaceous plants used in households as food, pungent seasoning, and natural preservative.
• Garlic beds — A regional or diminutive plural form used in the past within Transylvanian and Banat dialects to denote small beds, geometric plots, or young garlic crops (ai) within traditional vegetable gardens; in familiar colloquial language, it can also represent a secondary plural variation for the noun 'aiureală' (nonsense), indicating a series of absurd statements, blunders, or stories invented without any real basis. Within an ethnobotanical context, the word carries a powerful weight of rural oral expression, reflecting the microscopic structure of domestic alliaceous crops.
• The garlic beds — A regional plural form with a definite article or a noun variant used in the past within Transylvanian and Banat dialects to specifically denote 'the garlic crops' or the beds structurally arranged inside traditional gardens with Allium plants. Within an ethnobotanical and popular agricultural context, the word carries a powerful weight of rural oral expression, defining the entirety of domestic garlic crops used in the household as a staple food, pungent seasoning, and natural preservative.
• Openworks — The plural form of the neuter noun 'ajur'; it designates multiple decorative embroideries, ornamental perforations, or carved geometric patterns made in a fabric, garment, jewelry piece, or architectural structure. These structural elements serve an aesthetic role in creating a lace-like effect of transparency and alternation between solid and void spaces, allowing controlled light filtration.
• Ancient wheat strains — The plural form of the masculine noun 'alac'; it designates multiple strains, varieties, or crops of ancient wheat (Triticum monococcum or Triticum spelta), characterized by rigid stalks and grains tightly enclosed in hard glumes. Although it is a correct grammatical form obtained by applying the specific plural ending, the term is rarely used in contemporary language, with the collective singular 'alac' being preferred to define the entire harvest or organic grain crop.
• Alae — The plural form of the feminine noun 'ala'; in ancient Roman military history, it designates multiple auxiliary cavalry or infantry units placed on the army's flanks; in anatomy and zoology, it represents the prominent symmetrical wings or structural formations of certain bones, organs, or insects (such as alae sacrales or the nasal wings). This structural term of morphological precision describes paired lateral elements that ensure aerodynamic balance, skeletal stability, or mechanical protection of an anatomical opening.
• Brassware — A collective noun (predominantly used in the plural) denoting all objects, vessels, tools, musical instruments, or decorative accessories manufactured from brass. In technical or archaeological language, the term refers to hardware parts or ornaments made of copper-zinc alloy found within a commercial or household inventory.
• The white-and-blues — Masculine plural form for the compound adjective 'alb-albastru'; it describes several masculine objects or beings having a chromatic scheme based on the combination of white and blue. As a plural masculine noun (substantivized), the term directly denotes the athletes, players, or die-hard supporters of a team wearing these traditional colors.
• The white-and-reds — Masculine plural form for the compound adjective 'alb-roșu'; it describes several masculine elements or beings that associate, combine, or alternate the colors white and red. As a plural masculine noun (substantivized), the term directly denotes in daily press the players, athletes, or loyal supporters of a sports club whose official colors are white and red.
• The white-and-violets — Masculine plural form for the compound adjective 'alb-violet'; it describes several masculine elements, objects, or beings that associate, combine, or alternate the colors white and violet. As a plural masculine noun (substantivized), the term directly denotes in sports press the players, athletes, or loyal supporters of a club whose traditional official colors are white and violet.
• Blue — Feminine plural form of the adjective 'albastru'; it describes several feminine objects, entities, flowers, or beings having the color of the clear sky or the deep sea. In literature and arts, it is frequently used to evoke visual elements of nature, clothing items, or aesthetic concepts based on cold shades.
• The blues — Masculine plural form for the adjective 'albastru'; it describes several masculine elements, objects, or beings having the color of the clear sky or the deep sea. As a plural masculine noun (substantivized), the term directly denotes in journalistic and sports language the players, athletes, or supporters of a team whose official colors include this spectral shade.